Our Accessible Technology

Supported in part by the Oregon Cultural Trust, our technology program invents, tests, and deploys specialized devices that translate acoustic audio into high-fidelity light, color choreography, and physical vibration.

Hardware Controller Developed by CymaSpace Team

Audiolux One: Sound-Reactive Effects Unit

The Audiolux One is a pioneering LED lighting controller developed by the team at CymaSpace that intelligently translates live sound and music into synchronized light, color spectra, and physical motion.

Designed specifically for musicians, producers, performance venues, and accessible spaces, the unit delivers true plug-and-play simplicity. No complex programming, coding, or electronic calibration is required—simply plug in a sound source or ambient microphone, connect any addressable LED strip or matrix, and enjoy immediate visual translation of volume, frequency band, and pitch.

Visit Audiolux Devices ↗
Stage & Festival Installation PDX Pop Now! Showcase

Modular Cymatic Triangles

Invited by grassroots music festival PDX POP NOW!, CymaSpace engineered a portable, lightweight stage sculpture covering approximately 11' × 8'. Combining geometric pipe structures with high-density addressable LED arrays, the triangles accompanied over two dozen live performing artists and bands during the festival.

The installation proves that high-impact accessible stage lighting can be created using affordable, modular materials while delivering rich visual feedback to both Deaf audience members and hearing festivalgoers alike.

Tactile Sound Engineering Willamette Week "Best Place to Feel Music"

Vibrohaptic Furniture: Tactile Sound Prototype

Sound isn't just an auditory phenomenon—it is a physical pressure wave. To make music fully tactile, CymaSpace has experimented with high-power acoustic transducer technology that translates sound frequencies into physical resonance felt directly through the body.

Our vibro-haptic bench and floor prototypes allow visitors to sit or stand and experience bass notes, kick drums, and harmonic vibrations in tactile clarity. This research forms the foundation for vibrating dance floors and stages that give Deaf participants full physical access to musical performances.

Media Recognition: Recognized in Willamette Week's Best of Portland as the "Best Place to Hear (and See and Feel) Music" and featured in Vortex Music Magazine.